But for now, I really just want to filter out the PR hype, because none of it is making this show look like something I want to watch. I’ll eat humble pie for all of my fence-sitting “opinionated dork with a blog” comments. If Teen Wolf winds up checking both of those boxes, awesome. I just want to watch a show that 1) has cool werewolves in it, and 2) doesn’t insult my intelligence. I think we’re running out of courage.” What am I supposed to do with that? He cheerfully admits that using the “Teen Wolf” title has more to do with appropriating a recognizable brand than anything else, then goes on to admit of Hollywood: “I don’t think we’re running out of culture. This show is built to sell, which is fine, but I wish the people behind it weren’t so two-faced about their motivations. Executive producer / writer Jeff Davis waxes philosophical about the history and cultural significance of the werewolf, but then he asks for “scarier glowing wolf eyes” to be added to a scene in post-production.
TEEN WOLF IN WOLF FORMS SERIES
He’s obviously joking, but jokes are supposed to be funny and not make me dislike the person telling them. Wolf Pack, an original series for Paramount+, has finally been confirmed not to be a Teen Wolf spinoff and that’s a good thing. When Pappademas asks leading man Tyler Posey why he thinks werewolves are so appealing to women, Posey responds with this gem: “Girls are just really naughty and love to be thrown around”. The glimpses I see of non-pretty-boy werewolves look terrific, but every time I really pay attention and watch a trailer, read an article or see one of MTVteenwolf‘s chipper PR tweets, everything other than the effects (you know, important stuff like “story” and “acting”) look flimsy. There’s a strange momentum building behind this show that I find exciting, but I can’t find its source. The new “Teen Wolf” show is not as clever or allegorical as “Buffy the Vampire Slayer,” but the comparison is almost unfair Buffy was about teenagers but didn’t try particularly hard to be for them, whereas “Teen Wolf” is on MTV, which has a bigger investment in selling youth to youth… If “Teen Wolf” builds on the original’s sneakily radical message of self-acceptance instead of fetishizing its characters’ suffering like “Twilight,” there’s a chance “Teen Wolf” 2.0 will look as zeitgeisty in retrospect as some of its adolescent-lycanthrope genre forebears: a no-judgment monster show for the same proudly atypical fan base that Lady Gaga refers to as her “little monsters.” That line finally revealed what Peter and Kate had been planning all along: They were hoping for Scott's friends to kill him, so that the reveal that he was the berserker they killed would ruin their spirits for good.NY Times writer Alex Pappademas has written an article that perfectly articulates my own mixed feelings on MTV’s Teen Wolf reboot, and it only took him six pages. So the pack journeyed to Mexico alongside Peter Hale (stupidly enough), who told them that fighting a berserker wasn't about staying alive, it was about killing. Obviously only the audience knew at the time that Kate had turned Scott into a berserker. Deaton and Lydia told them that Kate took the alpha and his girlfriend to Mexico for some kind of dastardly deed. That's right, even stronger than when he was an alpha.Īt the start of the season four finale, the wolf pack went searching for Scott and Kira after Dr.
But we were oh so very wrong, as it turns out Derek was evolving into a stronger wolf than ever before.
TEEN WOLF IN WOLF FORMS CODE
After losing his powers thanks to a still-mysterious plan by Kate Argent, aka la loba, and finding out that his name was a cypher code for one of the Benefactor's lists, which pretty much guaranteed that he would die, Derek looked to be dead in Teen Wolf 's season four finale. Teen Wolf finally showed us a fate we had been dreading, and then took it away in arguably the weirdest twist the show has ever given its viewers. Directed by Rod Daniel Writing Credits Cast (in credits order) verified as complete Produced by Music by Miles Goodman Cinematography by Tim Suhrstedt.
0 kommentar(er)
